The Wall Street Journal Talks Euro-Horror
Saturday, August 15th, 2009
First off, kudos to Bloody Disgusting for spotting this story (through one of their very alert readers). I check a lot of places for horror news each day, but the Wall Street Journal is not one of them.
Anyway, here’s an interesting article from the venerable paper about the state of European horror. To be honest, when I clicked the link I expected a condescending article written by someone who knew next to nothing about horror in general and Euro-horror in particular. So, when it opens talking with Dario Argento and then segues into conversations with Alexandre Bustillo, Julien Maury, and Fabrice Du Welz, they suddenly had my attention. It’s an interesting look not only at the business of European horror cinema, but also a new generation of filmmakers and how they’re not interested in coming to Hollywood–but are instead interested in beating Hollywood at their own game.
The entire piece is a solid read, but the snippets guaranteed to have everyone talking are near the end. Du Welz, Maury, and Bustillo not only talk about how they have no interest in working in Hollywood under the current conditions being offered to them, but they take a few shots at the upcoming Nightmare on Elm Street remake as well. Here’s the excerpt:
“I can only talk for myself, but Hollywood is not much of an attraction for me,” Mr. Du Welz says. “I know I wouldn’t be happy on a film set having two line producers prodding me like on a commercial.”
“Directors like myself, Alexandre Bustillo and Julien Maury, and Pascal Laugier have all been getting sent the same scripts, it’s not like Hollywood is interested in us as individual talents,” he adds.
Mr. Bustillo is in total agreement: “We [Julien Maury and I] have an American agent who couldn’t understand how we could turn down directing a remake of ‘A Nightmare on Elm Street.’ He felt we were going to earn a lot of money and make a big hit — why refuse? But for us, the screenplay wasn’t any good, and we weren’t going to be able to rewrite it. We’re not interested in cheating, we want to make films we can be proud of.”
Check out the full article here.



