Onechanbara: Bikini Samurai Zombie Squad
Tuesday, March 31st, 2009
While everyone and their brother is busy raving about GDC and artsy games like Braid, Flower, and Little Big Planet, I’ve spent the past few days with Onechanbara: Bikini Samurai Squad-which is about as far from artsy as you can get. Don’t feel bad for me, though-because frankly, I’m tired of the whole “are games art?” debate and the bullshit pretentiousness that tends to sprout up like weeds whenever someone starts to discuss Flower. In fact, my new mantra may very well be fuck games where the artistic experience is more important than fun and the people who spend endless hours pontificating on them and how they fit into the ludologist manifesto”. At times like this, I remember one of the many classic Bruce Willis lines from The Last Boy Scout-bad guy Milo says to Willis “I would like to hear you scream in pain” and Willis’ deadpan reply is “play some rap music”. You wanna hear me scream? Mention ludology.
Anyway, Onechanbara isn’t art by any stretch of the imagination-and I’m cool with that. It’s a borderline retarded action game featuring Japanese women running around in implausible outfits and slaughtering hordes of incredibly stupid zombies with katanas and guns. It sounds cooler than it really is (I’ll explain that shortly), yet there’s still some undeniable charm at work in the title. Or maybe it’s not charm at all-it could just be the gigantic breasts, which bounce around in a sort of hypnotizing way. Whatever it is, the game manages to overcome most if its design issues (of which there are many) and offer up some fun almost in spite of itself. Since comparing games to film is still all the rage these days, Onechanbara is like a grindhouse classic. It sucks from a technical perspective, but it’s so outlandish and unabashedly stupid that it gains a following in spite of the issues. It reminds me a lot of Tokyo Gore Police for some reason…probably because of the whole scantily clad katana-wielding hot Asian chick thing.
I miss working in the comic book store, mostly because I got paid to spend an inordinate amount of time reading comics. If you follow the comic world at all, you already know that a lot of new books come out every week and trying to buy everything you want to follow (something I did back in college) can lead to financial ruin. Working at the shop allowed me to read almost everything without actually having to buy all of it.
Featuring a story “ripped straight from the headlines”, Stuck is a film that only someone like Stuart Gordon could have made. A pitch black comedy merged with some gruesomely effective gore sequences, it brings to mind the early days of the filmmaker’s career-back when he had just released a little film called Re-Animator. Stuck and Re-Animator aren’t really anything alike on the surface, but the structure, tone, and penchant for finding the gallows humor in even the bleakest of situations is a hallmark of Gordon’s best work over the past two or so decades. Fans who like their films darkly humorous and filled with scathing social commentary (both subtle and obvious) should find this film to their liking.



Alex Turner isn’t a name that’s readily familiar to most horror fans, but his creepy feature Dead Birds was generally well received by the fright flick community. Unfortunately, it took five years for Turner’s next movie to reach the world. Was the wait worth it? Yes and no.
